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I've never been able to describe what I do in a single word, and I've stopped trying.
What I do is notice. I notice what touches me, what intrigues me, what won't let me go. And then I find the form that can hold it—
Sometimes that's a miniature built in 1:24 scale, sometimes it's a motion picture, a photograph, a piece of writing—
And at times it translates directly into my more conventional line of work: creative direction, a format built for an audience of millions, a strategy that has to work inside a larger institution.
Either way, the form follows the feeling. It always has.
I am drawn to things that may easily fade into the peripheral—moments that still carry weight, the origin of a thing, stories that accompany just about everything;
big and small, silent or significant.
This curiosity—this form of exploration—has taken me to a national museum, to television, to an immersive
experience built for virtual reality.
While my trade skills have taken me inside some of the most recognized names in digital media, I often found these same instincts turned out to be just as useful—carrying with them an invisible signature that had a way of making the work...noticeable.
What I've learned is that the impulse is the same throughout—
Whether I'm building a scale model, directing a piece of content for media networks, or shaping strategy, I'm doing the same thing: looking closely at something until it gives up a little more of itself.
I express. I document. I collect, comprehend, capture, contemplate. I wander and wonder. I question and occasionally answer. I feel, I process. I admire, I observe,
I preserve.
It all lives in the work, whether it is noticed or not.
Same impulse finding different forms.
If you're looking for someone with a clean title and a straight line—I'm probably not that.
But if you need someone who can see what others miss and make something worth keeping, let's talk.